Based in northern Italy, I work across film lighting, sound mastering, and image-based artistic research.
My background is in graphic design and photography, followed by over a decade in high-end image editing and analog restoration.
Across disciplines, I focus on structure rather than surface — clarity, continuity, and material consequence.
Whether on set, in the studio, or within long-term projects, the work is guided by systems, limits, and responsibility.
Film lighting operates within constraint: time, coordination, safety, and continuity.
I work within the lighting department with a focus on structural clarity and reliable execution under production pressure. On set, light is not treated as decoration. It defines hierarchy, spatial legibility, and visual consistency across setups. Decisions are technical, accountable, and aligned with production realities.
Under the name AudioD, I work in mastering for electronic music, film sound, and experimental formats. The approach is structural rather than expressive. The goal is to preserve intent, clarify spatial relationships, and ensure reliable translation across playback systems. Drawing from years of work in image restoration, intervention is deliberate and minimal. Dynamics, tonal balance, and depth are treated as interdependent elements. The focus lies on coherence, longevity, and material integrity rather than short-term loudness.
I work with image, sound, and light as material conditions rather than surfaces. The project Undoing the Alps examines alpine tourism through its physical traces. Infrastructure, repetition, and wear function as evidence of the mechanisms that produce landscape. Form is treated as a secondary effect of underlying systems.